| Michael C. Hall | ... | Dexter Morgan | |
| Julie Benz | ... | Rita Bennett | |
| Jennifer Carpenter | ... | Debra Morgan | |
| Erik King | ... | Sergeant Doakes | |
| C.S. Lee | ... | Vince Masuka | |
| Lauren Vélez | ... | Lt. Maria Laguerta (as Lauren Velez) | |
| David Zayas | ... | Angel Batista | |
| James Remar | ... | Harry Morgan | |
| Geoffrey Pierson | ... | Captain Tom Matthews (as Geoff Pierson) | |
| Jonathan Banks | ... | FBI Deputy Director Max Adams | |
| Jaime Murray | ... | Lila | |
| Keith Carradine | ... | Special Agent Frank Lundy | |
| Christina Robinson | ... | Astor | |
| Preston Bailey | ... | Cody | |
| Eli Goodman | ... | Detective Weiss | |
| Mary Alyce Kania | ... | Karen | |
| Stephanie Y. Wang | ... | Lexi | |
| Darryl Sivad | ... | Minister | |
| Troy Metcalf | ... | Cabbie | |
| Manny Suárez | ... | Mayor | |
| Gary Kraus | ... | Sheriff | |
| L.T. Tolliver | ... | Uniform Cop | |
| rest of cast listed alphabetically: | |||
| Maxwell Huckabee | ... | Little Dexter | |
| Dominic Janes | ... | Young Dexter | |
| Episode Crew |
Directed by | |||
| Steve Shill | |||
Writing credits | ||
| James Manos Jr. | (developer) | |
| Jeff Lindsay | (novel "Darkly Dreaming Dexter") | |
| Daniel Cerone | (teleplay) | |
| Daniel Cerone | (story) & | |
| Melissa Rosenberg | (story) | |
Produced by | |||
| Scott Buck | .... | co-executive producer | |
| Daniel Cerone | .... | executive producer | |
| Sara Colleton | .... | executive producer | |
| John Goldwyn | .... | executive producer | |
| Robert Lloyd Lewis | .... | producer | |
| Clyde Phillips | .... | executive producer | |
| Melissa Rosenberg | .... | co-executive producer | |
| Chad Tomasoski | .... | associate producer | |
Cinematography by | |||
| Romeo Tirone | |||
Film Editing by | |||
| Louis F. Cioffi | |||
Casting by | |||
| Shawn Dawson | |||
Production Design by | |||
| Anthony Cowley | |||
Costume Design by | |||
| Abram Waterhouse | |||
Production Management | |||
| Shawn Petersen | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Alexis Schmidtberger | .... | dga trainee | |
Art Department | |||
| Bennett Andrews | .... | greensman | |
| Rhonda DeMarc-Elliott | .... | buyer: set dressing | |
| Kevin Egeland | .... | graphic artist | |
| Bo Johnson | .... | set designer | |
| Cindy Peters | .... | art coordinator | |
| Alexa Roman | .... | art production assistant | |
| Keith Stalker | .... | general foreman | |
Sound Department | |||
| Courtney Goodin | .... | digital playback | |
| Peter Hansen | .... | boom operator | |
| John Hays | .... | boom operator | |
| Gary Megregian | .... | sound effects editor | |
| Laura Schmadel | .... | sound recordist | |
| Ronald L. Wright | .... | boom operator | |
Visual Effects by | |||
| Daniel Carrington | .... | flame artist | |
| Bryan Whitaker | .... | visual effects | |
Stunts | |||
| Alina Andrei | .... | stunt double | |
| Shawn Crowder | .... | stunt double | |
| Scott Leva | .... | stunt rigger | |
Camera and Electrical Department | |||
| Patrick Beatty | .... | grip | |
| Thomas Burns | .... | set lighting technician | |
| Warren Feldman | .... | second assistant camera | |
| Eric Fletcher | .... | camera operator | |
| Eric Fletcher | .... | steadicam operator | |
| Ryan French | .... | set lighting technician | |
| Steve Hurson | .... | first assistant camera: "a" camera | |
| Leo Ibanez | .... | grip | |
| Martin J. Layton | .... | camera operator | |
| Bradley Richard | .... | first assistant camera | |
| Hannes Steixner | .... | grip | |
| Earl C. Williman | .... | gaffer | |
| Jon Zarkos | .... | first assistant camera | |
| Deron Tse | .... | additional grip (uncredited) | |
Casting Department | |||
| Garrett McGuire | .... | casting associate | |
Editorial Department | |||
| Susan J. Vinci | .... | assistant editor | |
Music Department | |||
| Mark Bensi | .... | music editor | |
| Gary Calamar | .... | music supervisor | |
| Alyson Vidoli | .... | music coordinator | |
Transportation Department | |||
| Chad Moore | .... | transportation co-captain | |
| Douglas Price | .... | driver | |
Other crew | |||
| Rebecca Boyle | .... | additional script supervisor | |
| Lindsay Dwyer | .... | assistant production coordinator | |
| Susan Safer | .... | production accountant (segments) | |
| Timothy Schlattmann | .... | executive story editor | |
| Leo Fialho | .... | key assistant location manager (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Visual Effects by | |||
| Gregg Katano | .... | visual effects producer: Hi-Ground Media | |
| Duy Tan Nguyen | .... | digital effects artist: Hi-Ground Media | |
Camera and Electrical Department | |||
| J.A. Byerly | .... | rigging gaffer | |
| Michael J. Fowler | .... | video playback operator | |
| Brad Grimmett | .... | additional steadicam operator | |
| Riley Sidore | .... | set lighting technician | |
Other crew | |||
| J.D. Freixas | .... | production assistant | |
| Ben Gurner | .... | production assistant | |
| Jan Kunesh | .... | director of production finance | |
| Jan Kunesh | .... | production finance executive | |
| Natalie Pearsall | .... | production assistant | |
| Main series | Episode guide | Full cast and crew |
| IMDb TV section | IMDb Crime section | IMDb USA section |
| Add this title to MyMovies |
*** This comment may contain spoilers ***
An excellent ending to the second season of Dexter. the nice thing about this show is that it has many twists and turns but makes sure to cut off all loose ends.
************WARNING SPOILER BELOW****************************************
In the "British invasion" Dexter's problems are solved when Lila steals Dexter's Navigation system and finds the cabin hidden in the Florida Everglades where Sargent Doakes is being held captive. She breaks in and Doakes informs her that Dexter is the Bay Harbor Butcher. Lila in a delusional state feels that she now truly understands Dexter and wants to protect him. She leaves a gas line open and turns on the stove locking Doakes in the Cabin. Almost escaping Doakes is instead nearly all but incinerated by the huge explosion which destroys the cabin.
Dexter is relived by the instance but is unaware how it happened.
Dexter is given a new lease on life and begins to appreciate all that he could have lost should he have confessed or be caught as the true killer he is. Taking advantage of this renewed sense of freedom reconciles with Rita and they have an early morning romp before the kids stumble upon them to interrupt or as dexter put it "The Sex Police are here."
Later in examining charred evidence in the Forensics department from the Cabin explosion Dexter discovers his burned yet still recognizable Navigation unit that was taken from his car. Realizing that Lila could be the only person to take it he makes contact and arranges a meeting.
In this meeting Lila and Dexter profess their true fondness for each other and arrange to leave town the next day. Dexter has other plans.
Dexter hides in Lila's apartment waiting to "Remove" her when Deborah walks in almost becoming Dexter's victim on accident. She assumes that he was there to make sure she had left too when Lila walks in. Lila then sees Dexter's bag of tools and realizes what is going on. She grabs his bag and leaves telling Deborah that shes leaving town, and walks out.
Dexter leaves and tries to phone contact Lila to no avail.
Lila Pulls her jeep on the beach and looks at Dexter's tools. She then goes to Rita's home and knocks out the babysitter that was watching Astor and Cody.
Dexter returns to the Police station when Captain Astor tells Dexter that a woman called saying that she had specific knowledge to the Bay Harbor Butcher case and that Dexter has something to do with it. Realizing that Lila is trying to stall Dexter and he immediately rushes to Rita's house.
Upon arriving at Rita's house Dexter finds the children missing and the babysitter unconscious. Rita walks in and Dexter informs her that the children are missing and to call Deborah get get police searching for the children.
Dexter immediately goes to Lilas Loft and finds the children awaiting him who appear to be fine. Turning around Dexter sees Lila and she tells him that that essentially he "Screwed up". She grabs a lit standing candleabra and throws it to the ground igniting the curtains on fire. Lila runs out of the apartment shutting the steel doors and locking them closed with a chain. As the apartment engulfs in flames dexter kicks out two small windows and rushes the children through them to safety. once out he attempts to open the locked doors again with no luck. Gasping from smoke inhalation on the floor he remembers his father telling him that he will always be the way he is. Waking out of his daze he sees the lathe and plaster opening a hole in the wall as it burns. He jumps up wrapping himself in a blanket and rams the wall numerous times before flying through the wall to the outside entry way collapsing to the ground. Deborah grabs him and pats the flames away.
Dexter is sitting on a stretcher and asks Deborah how she knew to come to Lilas place and she stated that it was pretty obvious.
Lila is seen boarding a plane to Paris France.
Deb and Dex have a cute moment together stating that Deb is now taking care of Dex and not the latter.
Scene End. Black.
A tram or lift goes riding past the screen and the shot is taken to Lila opening the Door to her apartment in Paris. She checks her mail that has been slid trough the mail slot in the door and finds a Postcard that says "Greetings from Miami" on the front and a picture of Sargent Doakes on the back with no writing. Dexter leaps out from the shadows piercing Lilas spine with a needle. Lila tells dexter that she couldn't feel her legs or the rest of her body. He tells her thats why he did a spinal injection because he has a plane to catch.
He lays her on her and she tries to use reason and excuse to not do this but he tells her that she of all people always said how she understood him. He plunges a knife into her chest and waits for the life to leave her eyes. He seals her in a bag, and zips her up.
Black.
Impressive.